"I've Got the Numbers" - School of Language
Woke prog funk from 50% of Field Music.
"I Don't Want to Be Your Love (feat. Dan Bejar)" - Joseph Shabason
Minimalist fuzzy lamentations.
"Flat White" - Lungbutter
Minimalist dirge coffee rant.
"Yes! Come Parade with Us" - Leafcutter John
Loves me a squelchy arp.
"Search Box" - Low Island
Existential pop googling.
"Born Forlorn" - Aaron Beckum
I don’t normally go for country. This is almost an exception.
"O Ephraim" - Brad Mehldau
Jazz con squelch.
"Pretty Waste" - BONES UK
Industrial faded beauty complex.
"Belly" - Bells Atlas
Pyschsoul deployment.
"Sweet Conversation" - Black Pumas
Summery reverb drenched album closer.
"Let's Never Leave Here" - Death And Vanilla
Dreamy ode to not moving.
"Hunter (feat. John Mark McMillan)" - RIAYA
Terminator flavoured Björk cover.
"First of the Tide (feat. Benge)" - Erland Cooper
Lush tales of the sea. Synth arps. Seagulls.
FUTURE SOUND OF DISCO is positively ravenous for new music. All of it. Got a tip? @fsodisco on the twitters.
Est. 2018. Proudly curated in Acton Town.
Previously
"Sardines" - Vilde
Canned slowpop.
"Wordlessly" - Rose Elinor Dougall
Utterly beautiful, possibly kidnapped from 1973.
"Dali" - Spill Gold
Alarm clock Rhodes.
"The Letter" - Steve Adamyk Band
Boppy beep pop punk.
"Peachy" - Pom Poko
Some peachiness for a sunny morning.
"stephen" - Lowly
Sublime sparse and oh God I miss Portishead.
"Laughing Cavalier" - Clinic
A bit of Syd’s ghost shining through here.
"Bees" - ALASKALASKA
Jazzlite basics.
"Hourglass" - Big Eyes
I’m only here for the Killers-era Maiden guitars.
"Jealous Guy" - Sorry
Green-eyed nod-along pop.
"Letter from Hampi Mountain" - Snapped Ankles
Some of the best distortions committed to tape.
"Xoxo" - Wand
Gorgeous guitar pop thing, the way Thom and co used to.
"Terminal Island" - Jelly Boy
A beautiful slice of something that mercifully fades out just before it goes “full country”.
"Freedom" - Delicate Steve
Putting the “mental” in “crunchpop-guitar-instrumental”.